![]() It tells the viewer what should take visual priority within in an image. The orientation of a photograph can reinforce your subject. You can use it to narrow in on a particular concept or subject. Going from a landscape to a portrait format creates a sense of formality within a photograph. You can do this either in-camera or in post-processing.Ĭhanging from a portrait to a landscape orientation adjusts the flow of a photograph. Cropping #Ĭhanging the image orientation is a way to crop out undesirable elements in a photograph. You can capture horizontal ones in their entirety with the use of the landscape format. ![]() The portrait orientation allows you to photograph vertical subjects in full. This will allow you to make informed choices about image format. Keep in mind the dimensions of your subject. This is the beauty of modern photography. Subject Dimension #Īdjusting the camera orientation to fit a subject has become almost instinctual. But once you familiarise yourself with the concepts, the decision becomes much clearer. These include subject dimensions, cropping, emphasis, formality, and final presentation. There are many things to consider when choosing between portrait or landscape. So what can we learn from the historic use of landscape and portrait orientations in art? Making the Choice – Landscape and Format Orientations # Her choice depends on context, narrative and creative process. He uses generous amounts of dark, negative space.Īnd Annie Leibovitz uses a mix of portrait and landscape orientated portraits. Each uses the dimensions of the abstraction to dictate the image format.īill Henson often works within a landscape format. Kim Keever and Wolfgang Tillmans have photographed their subjects in both portrait and landscape orientations. She explores the visual exchange between the sitter and the viewer. Hendrik Kerstens uses portrait orientations in his ethereal depictions of human subjects.Ĭindy Sherman also makes extensive use of the portrait format. Whether in their Instagram feeds or photo galleries, you can find a variety of styles. Photography today sees photographers move between portrait and landscape orientations with ease. Henri Cartier-Bresson’s masterful street photographs included both portrait and landscape formats. Photographers like Imogen Cunningham took portraits and still lifes characterised by intricate tonality.Įdward Weston photographed a variety of subjects with unexpected camera orientations. This matched well with the dimensions of the human body. In the studio, photographers like Julia Margaret Cameron, Gertrude Kasebier and Mathew Brady preferred the portrait orientation. These famous landscape photographers used both portrait and landscape formats. Look at the works of Peter Henry Emerson, William Henry Jackson and Carleton Watkins. ![]() Both the portrait and landscape orientations were popular. Yep, the first portrait was a selfie.Ĭornelius took his image in portrait orientation.įrom there, photography became important for documenting subjects. He was both the subject and photographer. Robert Cornelius took the first intentional portrait of a human. Portrait vs Landscape Orientation in Photography # We’ll see where they’re used in photography, and when to choose one over the other. In this article, we’ll have a look at portrait vs landscape orientations.
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